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・ Antoine-Augustin Touttée
・ Antoine-Charles Taschereau
・ Antoine-Charles Vauthier
・ Antoine-Claude Fleury
・ Antoine-Denis Chaudet
・ Antoine-Denis Raudot
・ Antoine-Elisée Cherbuliez
・ Antoine-François Andréossy
・ Antoine-François Callet
・ Antoine-François Delandine
・ Antoine-François Momoro
・ Antoine-François Riccoboni
・ Antoine-François, marquis de Lambertye
・ Antoine-François-Claude Ferrand
・ Antoine-Frédéric Gresnick
Antoine-Félix Boisselier
・ Antoine-Félix Bouré
・ Antoine-Gabriel-François Benoist
・ Antoine-Gaspard Couillard
・ Antoine-Geneviève-Héraclius-Agénor de Gramont
・ Antoine-Girard de La Bournat
・ Antoine-Guillaume Rampon
・ Antoine-Henri Jomini
・ Antoine-Jacques Roustan
・ Antoine-Jean Amelot de Chaillou
・ Antoine-Jean Gros
・ Antoine-Jean Saint-Martin
・ Antoine-Jean-Marie Thévenard
・ Antoine-Joseph Mège
・ Antoine-Joseph Pernety


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Antoine-Félix Boisselier : ウィキペディア英語版
Antoine-Félix Boisselier
Antoine-Félix Boisselier (22 May 1790 – 29 April 1857), known as Boisselier le Jeune to distinguish him from his brother Félix Boisselier, was a French painter. A native of Paris, he was of the same generation as Camille Corot and Achille Etna Michallon. He studied with his brother and Jean-Victor Bertin, and is known to have visited Italy around 1811, in which year he painted two oil studies of that country. He first entered the Salon in 1812, and exhibited frequently thereafter; in 1824 he won a second-class medal. In 1827 he entered the first Prix de Rome competition for historical landscape. He placed second behind Michalllon, but nevertheless appears to have traveled to Italy soon thereafter. Many of his Salon entries, and many images he submitted to provincial salons, were views of Italian sites and historical landscapes. Later in his career he painted in the Auvergne region, as well as the Dauphiné and Provence. Boisselier taught drawing at the École spéciale militaire de Saint-Cyr, and maintained a popular studio; he died in Versailles in 1857.
==References==

*Philip Conisbee, Sarah Faunce, and Jeremy Strick. ''In the Light of Italy: Corot and Early Open-Air Painting''. New Haven; Yale University Press, 1996.
There is a painting by this painter in the Minneapolis Institute of Art("Roman Forum and Colisseum")



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